New Scripts, New Prescriptions

The post-zapping cancer recovery seemed to be going a little slowly, so gradually in fact that some days it was almost unnoticeable. 

“Are you sure you’re all right?” was a pertinent question that hung in the air more times than not. Or, “You don’t seem as sharp as you used to.” Yeah, yeah, yeah. And the horse you rode in on. 

And yet, it was true. Sleeping at a normal, regular time had become an abnormal, irregular event; the senior memory moments seemed deeper, more frequent; and yes, I was experiencing some loss of feeling in my feet. And and and...

I made an in-person appointment to see my GP, Dr. LowKey. After some chit chat and pokes and prods he says, “I want you to see a neurologist.” That appointment had to be made with a special note; Dr. Neuro was booked through Christmas. Popular guy, unfortunately—or not, depending which way you look at it, or don’t want to look at it. Thankfully, my GP pulls some strings and I get an appointment the following week.

Dr. Neuro observes, touches and pokes, asks questions and makes notes. The end result? 

“You have Parkinson’s Disease.”

GACK! NO! IRONY! IRONY! IRONY ALERT!

But, but, but? Didn’t I just get through dealing with prostate cancer? Hey, Universe! What’s going on here?

What’s going on here is coping with change. It’s a dopa pill three times a day; it’s a happy pill once a day; it’s weekly massage and acupuncture; it’s a daily circuit of exercises; it’s Physical Therapy twice a week at an extremely remote facility on Manhattan’s East Side. It’s dealing with despair and anger and working on acceptance and tenacity.

And it’s also beginning to think about the possibility of picking up an idea and exploring whether it might contain the germ of an idea for a short story, or a play, or just anything that’s worth writing about. And if so, what the first word might or might not be. 

These are my first words on this matter, here at least. The next question becomes, both with writing work and with life, am I ready for Word Two? 

I’ll definitely let you know.


"Past Tense" performed at The Pittsburgh New Works Festival

Below is the video recording of a performance (video starts at 31:09) of "Past Tense," written by Robert Moulthrop, and produced by The South Hills Players, in the Pittsburgh New Works Festival.

⚡️ Getting Zapped ⚡️

I had my annual physical late last summer. My GP is very low key. He phones me two weeks after I’ve seen him. We go over things. My PSA numbers have always been in the high single digits. I’m definitely not worried. 
 
“I’d like you to see the urologist,” he says. Soft spoken, but firm. 
 
“You sure?” 
 
This weak response is the only argument I can muster. 
 
“Make the appointment, Mr. Moulthrop” he says. 
 
Who am I to argue? One month later the urologist pokes and prods. 
 
“There’s something there all right.” 
 
My urologist—equally as low key as my GP—has very sensitive fingers. 
 
“Let’s do a biopsy.” 
 
Easy enough for him to say, he’s the one doing the snipping two weeks later. I’d say the only thing more ignominious and painful is colonoscopy prep.
 
 “See me in three weeks,” he says, “I’ll have the results from the lab by then. They’re always backed up.” 
 
Tell me about it. Are you following the tick-tock here?
 
“Early stage, very treatable,” says Dr. Urology. “Slow growing, but there’s an aggressive gene.” 
 
Now even diseases have their own genes, it ain’t just us host humans. Where will it all end? 
 
Dr. X at Prestigious Health Hospital has a sleek new treatment, only five sessions. “I can get you an appointment in … three weeks.” Lookin’ good, I think. 
 
Dr. X is very chipper. The answer is Yes. “But I have to review the lab work,” he says. “Make an appointment in … three weeks.” Three weeks later, with a smile, Dr. X of the PHH tells me I don’t need his treatment. Or he says that he’s not going to treat me. “Even with the aggressive gene?” I ask with an ingratiating smile, which he meets with a nod and a snap of his clipboard. The net result is a big “Not for you, Moulthrop.” Age-ist? We’ll never know.
 
Three weeks later Dr, Urology says “Hmmmn” and suggests another doc: Dr. Youngbeard. In the meantime he’s started treatment—an injection of a testosterone-lowering, cancer inhibiting drug. You can expect hot flashes and mood swings. (Looking forward to those.) Let’s schedule another injection in three months, by which time Dr. Youngbeard will be ready to start you on radiation.” 
 
The lead-in ticktock is fuzzy, but I know my first hormonal jab was January 9; followed by a very long ride on the moodswing roller coaster. The second was April 9, and the full-time job of Zaps For The Cure began almost immediately after Jab Two.
 
In addition to the usual pre-op testing—scans and vitals, vitals and scans—there’s an op to insert a gel around some innards and put some permanent markers on your body to make it easier for the Zap Machine to focus without nicking your bladder or stomach or some other one of the organs that are nestled together around your mid-section. The op is easy enough for the patient: show up, lights out, lights on, get up and go home. And get ready for the daily ride on the Zap Coaster: 28 days of daily Zaps, Monday through Friday, minus weekends and Memorial Day. Beginning Monday, May 6th and ending Thursday, June 13th.
 
A noon Zap appointment means getting up at 9:00, forcing breakfast—I dislike eating before noon—getting dressed, walking to the bus stop, then taking the bus several blocks, then walking to the basement Radiation Oncology Department where I sit and drink water for at least an hour. Zapping needs a full bladder to ensure good Zap aim. (Remember those tattoos?) How full is full? Not always the same. You’ll know it when you feel it. And when you think you do, take off your pants, put your shoes back on, and put on the hospital gown with its inadequate closure ties. Wait to be summoned as you sit in a line of chairs with others, mostly men. The chatter, when it happens, is nervous. 
 
To get to the Zap room you pass through a room of screens being attended by very bright, upbeat, young people; someone always asks you to tell them your birthday; extra insurance to assure the correct Zap to the correct person. Then walk down a ramp to a dark-paneled high- ceilinged room housing a huge sci-fi device with many movable arms, all aimed at a table covered with fresh linen. On your back on the table you can look straight up at a glass ceiling adorned with a picture of puffy white clouds in a blue sky fringed by tall redwood trees. As soon as the machine begins to hum and move, I close my eyes, hoping to not pee, to keep a full bladder, to not move, to hold tight to the blue plastic ring that anchors my hands across my chest. Often there is music, often loud rock—which is great; I can get inside the beat.
 
After the 10-minute Zap it’s off the table, back up the ramp, through the screens room, and finally, the Joy of The Pee. Then dress, bus, walk to home, up the 35 stairs, eat, nap, dinner, fitful sleep. Repeat 28 times, with decreasing energy and an increasing fear of the onset of lightheadedness (a drug-induced side effect), especially when walking on a New York City street. And while there’s plenty of what I would describe as discomfort, there is no pain. Whew!
 
Now, on the other side—“All good,” says Dr, Youngbeard. “See you in three months. We’re looking to keep that PSA at Zero.”—I’m grateful. Very grateful. Especially for the loving support I received at home from my partner, Richard. Every single day.
 
End of chapter. Beginning of the rest of the volume.

Commit Poetry: "Overhead."

Commit Poetry: "Overhead."

A million years ago (well, a decade or two in the past) I often felt compelled to commit Poetry. Just for me, see? Very little to share here, except, perhaps, for a few forays into Occasional Poems—poems for someone’s birthday or some such. Whichever, wherever, those and other private poems came from a place of listening, which evolved into the urgent need to share what I had heard through words written and tangible. The need to commit Poetry, for me, dictates a crunching up of words, a need to ask myself what I am listening to, or just have listened to, or have listened to enough that the thoughts demand attention. A while ago I shared my poetic thoughts on the Seven Virtues and the Seven Deadly Sins. Today it’s … Overhead:

Read More

WATCH Livestream of "Clean Dishes" by Robert Moulthrop in Chain Theatre Play Festival 2022 | Get Tix Now

TICKETS:

Clean Dishes, in Program #9

Performance Dates, Times & Tickets

Friday, July 8, 2022 8:00 PM EDT | Buy tickets here

Sunday, July 10, 2022 5:00 PM EDT | Buy Tickets here

Sunday, July 17, 2022, 8:30 PM EDT | Buy Tickets here

Thursday, July 21, 2022, 8:30 PM EDT | Buy Tickets here

Read More

The Transit of Venus

The Transit of Venus

I can barely watch—can hardly read—about the unprovoked attack on Ukraine. The country now turned into bomb sites, the population on the move, and all, seemingly, to feed Putin’s delusional need for a reconstituted empire.

So, for a short reprieve from carnage, I’ve revisited a 10-minute play. It’s a form I like: short and sweet, a small frame for a story’s development, a mini-journey for the characters. “Transit of Venus” was prompted by that occurrence back in 2004. I hope you’ll enjoy Ralph and Margaret and Angelo and Giovanna.

Read More

Wrapping and Unwrapping 2021

Wrapping and Unwrapping 2021

There is, of course, always more to come... but for now here's my "writing tip" audio piece, written and recorded and forthcoming for Read650. Always fun to read aloud, especially a short piece where, if I make a mistake at the end (oh yes!), it’s not a big deal to do a re-do. And, if you're interested, listen to my earlier, autumnally-released Read650 piece on surprising birthday presents, here.

Read More

Little Lessons From Alice In Wonderland

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection, The New York Public Library. (1901). The rabbit started violently, dropped the white kid gloves and the fan, and skurried away into the darkness as fast as he could go. Retrieved from https://digitalcollections.nypl.org/items/6cb4e924-d2cd-a6ec-e040-e00a18064787

Opportunity doesn’t always knock, because sometimes there isn’t a door. Sometimes opportunity is more of a whisper, a gentle nudge, a “possible prospect.” Planning is fine, but doing nothing but executing plans, plodding forward, eyes on the ground, day after day, negates a lot of possibilities. Raise your eyes, or risk missing (or not recognizing) the potential adventure that awaits. This serendipity of circumstance has occurred several times in my life. Joining a conversation with strangers on a subway platform has resulted in not one, but two lifelong friendships. Then there was asking foreign travelers in Central Park if they need help, and following that path to the never-before-thought-of-conclusion of translating from Danish a children’s book about death that went on to win the ALA’s Batchelder Award. “Curiouser and curiouser.”

This got me thinking about Alice in Wonderland, a favorite over many years.

Wonderland turns out to be a very fine institution of higher learning, with a sharp focus on business, and a broader focus on Life, with a capital L. While its curriculum may be a bit disorganized, the lessons are succinct, and therefore easily understood. So, as Wonderland Professor “The King” puts it, gravely, let’s “Begin at the beginning, go on until you come to the end, then stop.” So, let’s follow Alice as she tired of reading, slipped down the Rabbit Hole, and encountered all those adjunct professors – including the Dodo, the Mad Hatter, the Dormouse, and the Walrus—who were there to teach her some lessons. We’ll be visiting Wonderland U. from time to time.

Stay Open To Opportunity

Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and, burning with curiosity, she ran across the field after it…

Ah, the virtue of curiosity, especially when combined with action... Follow the rabbit, the unusual, not imprudently, and not necessarily for adventure (and not because it’s some kind of new drug that promises nirvana, truly, this time), but because curiosity, far from killing the cat, can lead to very surprising places. You may think you are on the track of something, but wait, because you’re not going through the hedge, you’re going down the Rabbit Hole. As in, “Hey, I never thought of that.” Be alert for the chance off to the side. It’s what happens in science all the time. You think you’re working on a heart medication, but it turns out to provide really stunning erections for those who need that kind of thing. When the rabbit hole beckons, give it some serious consideration.

New Poems For Voice-over For PocketBear Video Piece

In the summer of 2021, Anthony Caruso was commissioned to direct a short film that took place in Lancaster, Pennsylvania—a short adaptation of the opening sequence of the play "Our Town", by Thorton Wilder. (This short is available on YouTube and is titled "Your Town.") On location in Lancaster Anthony took a camera and filmed his own footage around this small city in the middle of the state, and he will be making a short video piece with his findings. To accompany it, I wrote this poem to be used as voice over to the video. This poem is a reflections on the imagined process, the place, and how the pandemic continues to shape our perceptions of cities, towns, and ourselves.


There is a street, a straight street.
There is an avenue, it is a venue, a place
For gathering, for taking in and giving out
For knowing, gaining knowledge
For shedding or embracing ignorance.

There is another street, a winding street
One lane encompasses, another lane comprises
And there are highways, ways to height
Ways that work against diminished effort,
Move us from senescence into sedentary, then
To necessary movement.

There is a road, a road I follow
To constructions I have built
Erections that I comprehend
Confound all expectations.
I vilify their non-emergent energies
Striking chords of discourse and disdain.

Where is the road, the highway, the route?
Where is the lane, the street, the river?
Where will I know, intuit, divine?
What will appear around that corner?

Does it lurk? Does it wait in hope?
Does it forbear? Does it foretell?
Can I know what I know?
When? Where? How?
And most of all Why?

Something About Life

The following short piece was originally published by The New York Times in the Metropolitan Diary on September 19, 2021. Follow this link to read it with the other pieces from that day.


Something About Life

Dear Diary:

On one of the winter’s last snowy evenings, I was walking through the Village, heading for an uptown train with my umbrella, scarf and galoshes and intent on avoiding the icy spots on the pavement.

A young man, probably in his mid-20s, in a black pea coat and hoodie, approached me. I was prepared for him to ask me directions to the New School or the PATH train.

He stopped directly in front of me with a guileless look on his face.

“Tell me something about life,” he said.

Interesting assignment.

“It’s important to be present,” I said. “Stay in each moment as long as you can.”

He was still looking at me.

“And put worry away; it’s generally useless.”

He continued to stand there.

“That OK?” I asked.

“Yes,” he said, and then he walked off through the snow.

— Robert Moulthrop

Choosing A Name For Yourself

I will confess I’ve had my own run-ins with self branding, beginning at the early age of six, when I was christened. Why my parents had waited for this rite I never discovered. But wait they did, and I found my six-year-old self, one Sunday, dressed in an uncomfortable dress shirt, coat and tie in the sanctuary of Berkeley, California’s Northbrae Community Church, a child in the midst of a batch of parents with infants, ready to have my name officially sanctioned with a water drip. At home, as my father was tying my necktie, he told me “if you don’t like the name you have, now’s the time to change it.” Up until that time, the thought of changing my name had never occurred to me. Of course I’d thought I was probably adopted, that my real parents were somewhere, waiting to claim me. But the possibility of changing my name hadn’t really occurred. I did have a nickname, dropped on me by my father.

Read More

The Commuter

The Commuter

First is getting fired; then the divorce; then the new job.

Suddenly, I am no longer the guy who grabs the toasted bagel from his wife’s hands, drives to the suburban office park, works with people I like, then comes home to a family dinner (most nights; many nights; some nights).

Suddenly I am a commuter. From the new suburban apartment with the fold-out futon for the kids if they ever came to see me. From there to the parking lot, to the train, to the desk that holds a computer with numerical flashes needing constant tending, to the train, to the parking lot, and back again. And again, And again.

At first the train is soothing: new sounds, changing perspectives. And it’s punctual, an admirable trait: 6:37; 8:17. Until the incident.

Read More

On The Post Office | Dead Letters

On The Post Office | Dead Letters

I love the Post Office. Now that it’s in the news, I don’t want you to think that I’m some kind of Johnny-Come-Lately, capitalizing on the news and this iconic institution’s importance for delivering votes, meds, mail, and Walgreen’s circulars. Please know that I have been a strong and sturdy PO champion since way back.

Read More

Barzini To The Rescue

Barzini To The Rescue

When you’re five years old, every day begins the same. I remember staying in bed those cool August mornings, the only one awake, floating with my eyes closed as the birds rummaged through the next door palm tree. Then I would fall back to sleep until I heard my father in the bathroom, softly whistling the Ovaltine commercial as he sharpened his razor on the leather strop.

Read More

WATCH: YouTube premiere of BARZINI TO THE RESCUE, my latest hybrid collaboration with PocketBear productions.

WATCH: YouTube premiere of BARZINI TO THE RESCUE, my latest hybrid collaboration with PocketBear productions.

Click the video link above or go to the PocketBear YouTube page to set a reminder (sign in to your YouTube/Google account and click “set reminder” on video) to watch the YouTube premiere of BARZINI TO THE RESCUE, my latest hybrid collaboration with PocketBear productions.

BARZINI TO THE RESCUE goes live on YouTube on Friday 14th August at 8pm (Eastern Time).

Read More

No Onions

No Onions

If you were by yourself, you could sit quietly, eating with small bites, not making noise, keeping as still as you could. While you listened to the people at the next table. This was something I heard, one time, back then, when we ate out.

Read More

Lear on a Leash

Lear on a Leash

This Alpha Dog thing. It’s not quite as easy as you might think. And afterwards there’s the constantly nagging oh-so-human question: Have I learned what I should?

Read More

Mush: Recollections Of A Self With No Edges

Mush: Recollections Of A Self With No Edges

September 1957. My new stepfather dropped me and my new stepbrother (headed for MIT) in Boston after our cross-country trip from California. My stepfather (a wonderful man who would drop dead over the breakfast table six years later, ending my divorced mother’s one shot at happiness) was in a big hurry to meet up with my mother in Denver for their honeymoon. “You guys will be fine,” he said, not looking back. “Fine” was not quite it.

Read More